Excitable Boy

We sorely miss this guy. What a talent and what a great album he left the world with- Excitable Boy. This Jackson Browne/Waddy Wachtel produced album broke Zevons career wide open in 1978. Includes Werewolves Of London, Johnny Strikes Up The Band, and Lawyers, Guns and Money. Features his good friends like Linda Ronstadt, Jackson Browne, J.D. Souther, Mick Fleetwood and John McVie. Mastered from the original Asylum Records vault tapes by Joe Reagoso (America, Boz Scaggs, Doobie Brothers) at Friday Music Studios and at Capitol Mastering with Ron McMaster. Includes original art elements, limited edition lyric insert sheet, and poly sleeve for LP and one for the album cover to protect your investment..........


TRACK LISTING..........

Side One.........

Johnny Strikes Up The Band
Roland The Headless Thompson Gunner
Excitable Boy
Werewolves Of London
Accidentally Like A Martyr............

Side Two............

Nighttime In The Switching Yard
Veracruz
Tenderness On The Block
Lawyers, Guns And Money

With this 1978 LP, Warren Zevon stepped forward as something of the dark prince of California. Like fellow Southern California outcast Randy Newman, Zevon achieved some fame, albeit not what his talent would have earned him had he written songs more like his mellower pal Jackson Browne and a little less like Jack the Ripper in a convertible. Fascinated with bloodthirsty antiheroes, Zevon wrote with the flair of a desperately bright pulp writer and summoned images of mutilated mercenaries ("Roland the Headless Thompson Gunner"), pampered bad boys ("Lawyers, Guns and Money"), helpless sickos (the title track), and, of course, feral Chinese-food fiends ("Werewolves of London"). Excitable Boy's 1976 predecessor (Warren Zevon) may be a more consistent album, but this is the one that put Zevon in the public consciousness as someone to keep an eye on--for protection as well as promise. --Steven Stolder

It's really too bad that Warren Zevon had to die before hearing how spectacular his albums sounded in these latter-day remasters. Excitable Boy remains his best-known document, awash with blood and guts (especially on the horror-laden title track) and a famous, phenomenal touch of lycanthropy. The trick is in Zevon's ironic distance, his dispatch of killer narratives that touch on mercenary internationalism and undeserved indulgence in due course. Zevon's writing is musically simple--pianos and guitars and mid-tempo pacing--and those touches here only underscore how crisp the remastering sounds. To wit: The raucous undertow of "Lawyers, Guns, and Money" is delirious and ironically rhapsodic. As for "Werewolves of London," it's here twice (once in the expanded rack of four additional tunes) in all its tilted glory. As for the other extra content, "I Need a Truck" is the short gem, a 50-second a cappella litany of Zevon's raffish ways: "I need a truck to haul my percodan and gin" and one to "haul the womens from my bed," he sings... followed by this apt note, "I need a truck to haul my body when I'm dead." He had a mordant side. --Andrew Bartlett