Mad Dogs & Englishmen (Dlx)

In the pantheon of classic live albums as well as concert films, Joe Cocker's Mad Dogs & Englishmen is near the top, alongside Woodstock and The Last Waltz in defining the spirit of a generation. The tour, album and film catapulted Cocker, Leon Russell, and Rita Coolidge to stardom. Now, for the first time, the album, originally issued in 1970, is heard with previously unreleased tracks and studio cuts. The two-CD Mad Dogs & Englishmen: 35th Anniversary Deluxe Edition reveals in full for the first time the repertoire of the craziest, loudest, longest rock 'n' roll circus to have ever hit America. Along with already-legendary performances of "She Came in Through the Bathroom Window," "The Letter," "Delta Lady," "Bird on a Wire," "Cry Me a River," "Feelin' Alright," "Let's Go Get Stoned," and "Space Captain" are seven previously unreleased live performances (whose inclusion now reflects the actual sequence of the show's set list) and four rare studio recordings.

The debuting live performances are of Cocker's "The Weight," "Something," "Darling Be Home Soon," and "With a Little Help from My Friends"; Leon Russell's "Hummingbird" and "Dixie Lullaby"; and Don Preston's "Further On up the Road." In addition, Claudia Lennear's performance of "Let It Be," a single B-side, makes its album premiere. That recording, as well as Rita Coolidge's "Superstar," were taped at the Santa Monica Civic Auditorium; the other performances took place earlier at the Fillmore East. Added too are the studio singles sessions of Russell's "The Ballad of Mad Dogs & Englishmen," the previously unreleased "Warm-Up Jam" (including "Under My Thumb"); the album debut and stereo debut of the single B-side "Space Captain" as well as "The Letter."

The tour rolled across America, from Detroit to New York to California, from March to May 1970. With Cocker in his prime, driven by a phenomenal band; ringmaster Russell; three drummers; horn section; 10-strong choir; wives, lovers and children; film crew; roadies; and a black-and-white-spotted dog, the tour was one of the greatest and most colorful in history. Thirty-five years later, the excitement of Mad Dogs & Englishmen remains.

The rock & roll road show never really caught on, which is surprising given that Joe Cocker's Mad Dogs & Englishmen revue showed tour dogs how it's done. Recorded live at New York's Fillmore East in the spring of 1970, this set (as well as a film of the same name) documents a slapdash extravaganza (the whole thing was conceived, organized, and abandoned over the course of two months) that overflows with big, brassy, rockin' soul. Front and center is Joe Cocker, a spastically charismatic Brit soul shouter. The bandleader is Leon Russell, playing some of the best rock piano ever waxed. And the crack company (boasting 21 singers and players) features the Rolling Stones' future horn section and Derek & the Dominoes' rhythm-section-in-waiting. Cocker shines on "Cry Me a River," "Give Peace a Chance," "The Letter," and a slew of other covers that benefit greatly from the volcanic arrangements whipped up by Russell and Chris Stainton. It may have been the Ray Charles revue for the Woodstock Generation, but, shockingly, the Genius himself hasn't made too many records that surpass this one. --Steven Stolder