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Say You Will

Say You Will
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  • Buy New: $47.79
  • as of 2/14/2012 00:09 EST details
In Stock
  • Seller:piarecords
  • Sales Rank:272,954
  • Language:English (Unknown)
  • Media:DVD Audio
  • Discs:1
  • Shipping Weight (lbs):0.3
  • Dimensions (in):5.8 x 5.6 x 0.4
  • Release Date:April 15, 2003
  • UPC:093624839491
  • EAN:0093624839491
  • ASIN:B00008PW3P
Availability:Usually ships in 1-2 business days


Editorial Reviews:
Album Description
2003 album featuring both Stevie Nicks & Lindsey Buckingham, the first since 1987's triple-platinum Top 10 'Tango In The Night' & first release since 1997s 'The Dance'. The band also features John McVie & Mick Fleetwood plus guests artists, Sheryl Crow, Christine McVie, & Dave Palmer. This limited edition includes an exclusive bonus enhanced CD with four tracks, 'Love Minus Zero/No Limit', ' Not Make Believe', 'Peacekeeper' (live from AOL sessions), & 'Say You Will' (live from AOL sessions), along with behind the scenes footage, packaged in a digibook. Reprise.
Amazon.com
Given their overarching history, Fleetwood Mac's 15-years-after studio reunion seems as unlikely as their initial, era-defining nova of success. Even cynics leery it's just another geezerfest payday should find this stripped-down edition of le Mac Classique (singer/songwriter/keyboardist Christine McVie opted out) bristling with a wealth of fresh, ambitious musical ideas. The responsibility for that creative renaissance rests squarely on the delicate shoulders of Lindsey Buckingham, more involved and motivated than he's been in any Mac project since the monumental Tusk. His crypto-folk structures and adventurous, Brian Wilson-inspired sonic textures are anything but predictable, illuminating "Miranda," "Red Rover," "Come," and even the mildly pedantic harangue "Murrow Turning Over in His Grave." With Christine McVie's poignant pop sense out of the mix, Stevie Nicks steps up with solid songcraft that rises beyond "Ilume"'s expected folk-mysticism to encompass other melancholy, age-defying feats like "Silver Girl," "Smile at You," "Goodbye Baby," and the title track. That duet with Buckingham argues that their vaunted creative axis may have lost its personal friction only to spin ever freer. And, like firm ground beneath the feet, it's too easy to take for granted the legendary Mick Fleetwood/John McVie rhythm section that gave the band its very name. Cut to its core dozen tracks, it's an album that easily stands comparison to their mega-platinum past. --Jerry McCulley

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