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American IV: The Man Comes Around

American IV: The Man Comes Around
  • Buy New: $48.74
  • as of 5/26/2012 14:48 EDT details
In Stock
New (5) Used (30) from $0.38
  • Seller:New Jersey NJ Music and Movies
  • Sales Rank:2,493
  • Media:Audio CD
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.4 x 4.9 x 0.4
  • Release Date:November 5, 2002
  • UPC:044006333922
  • EAN:0044006333922
  • ASIN:B00006L7XQ
Availability:Usually ships in 1-2 business days

Tracks
  • The Man Comes Around
  • Hurt
  • Give My Love To Rose
  • Bridge Over Troubled Water
  • I Hung My Head
  • First Time Ever I Saw Your Face
  • Personal Jesus
  • In My Life
  • Sam Hall
  • Danny Boy
  • Desperado
  • I'm So Lonesome I Could Cry
  • Tear Stained Letter
  • Streets of Laredo
  • We'll Meet Again


Editorial Reviews:
Album Description
UK special edition reissue of The Man In Black's brilliant 2002 album includes two bonus tracks, 'Big Iron' (previously vinyl only) & 'Hurt' (video). American Recordings. 2003.
Amazon.com
On first thought, the idea of the Man in Black recording such covers as "Bridge over Troubled Water," "Danny Boy," and "The First Time Ever I Saw Your Face" might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around, which also draws on Cash's original songs as well as those by Nine Inch Nails ("Hurt"), Sting ("I Hung My Head"), and Depeche Mode ("Personal Jesus"), may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own "The Man Comes Around," filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritone-bass, frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' "In My Life," you'll very nearly cry. Go ahead. He sounds as if he's about to, too. Unforgettable. --Alanna Nash

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