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Fragments of Freedom

Fragments of Freedom
  • List Price: $13.96
  • Buy New: $4.89
  • as of 2/11/2012 08:12 EST details
  • You Save: $9.07 (65%)
In Stock
  • Seller:EZ Store
  • Sales Rank:164,733
  • Media:Audio CD
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.6 x 5 x 0.5
  • Release Date:August 1, 2000
  • UPC:643443113724
  • EAN:0643443113724
  • ASIN:B00004VVZ4
Availability:Usually ships in 1-2 business days

Tracks
  • World Looking In
  • Rome Wasn't Built in a Day
  • Love is Rare
  • Let it Go
  • A Well Deserved Break
  • Love Sweet Love (feat Mr. Complex)
  • In the Hands of the Godz (feat. Biz Markie)
  • Shallow End
  • Be Yourself
  • Coming Down Gently
  • Good Girl Down (feat. Bahamadia)
  • Fragments of Freedom


Editorial Reviews:
Synopsis
Japanese version of the long awaited follow up to the Brit trip hop trio's 1998, sophomore release 'Big Calm'. Includes the exclusive bonus track, 'Frogmarched To Freedom' and the first single 'Rome Wasn't Built In A Day'. 2000 release. Standard jewelcase
Amazon.com
Morcheeba were once the dreamiest bass-heavy, slow funk-oriented group in all of trip-hopdom, as anyone who's spent time with their 1998 sophomore album, Big Calm, will attest. Fragments of Freedom begins interestingly enough, with the languorous, slide guitar-enhanced track "World Looking In." But things go awry from there; the lyrics are so daft and pale, and the R&B-lite arrangements so limp, that the listener keeps waiting for the group to bust out laughing, then introduce the real music. "Let It Go," with its faux-inspirational chorus and tepid keyboard runs, sounds like the Euro-club music they might play at Epcot Center. By the time Biz Markie shows up with a short, sweet track of old-school boasting halfway through, it's far too late to save this CD. Freedom sounds like a misdirected attempt to reach a larger audience; the result is as appealing as cotton candy that's been dipped in maple syrup, covered with vanilla frosting, and then dropped in the sand. Recommended only as a clear example of how not to make interesting dance-pop with wide appeal. --Mike McGonigal

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