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At San Quentin

At San Quentin
  • List Price: $7.98
  • Buy Used: $5.86
  • as of 2/14/2012 05:46 EST details
  • You Save: $2.12 (27%)
In Stock
  • Seller:The Empire
  • Sales Rank:560,928
  • Format:Live, Original recording remastered
  • Media:Audio Cassette
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.6 x 5 x 0.5
  • Release Date:July 4, 2000
  • UPC:074646601747
  • EAN:0074646601747
  • ASIN:B00004U2GI
Availability:Usually ships in 1-2 business days

Tracks
  • Big River [#][*]
  • I Still Miss Someone [#][*]
  • Wreck of the Old '97
  • I Walk the Line
  • Darlin' Companion
  • I Don't Know Where I'm Bound [#][*]
  • Starkville City Jail
  • San Quentin
  • San Quentin
  • Wanted Man
  • A Boy Named Sue
  • Peace in the Valley
  • Folsom Prison Blues [#][*]
  • Ring of Fire [#][*]
  • He Turned the Water into Wine [#][*]
  • Daddy Sang Bass [#][*]
  • The Old Account Was Settled Long Ago [#][*]
  • Closing Medley: Folsom Prison Blues/I Walk the Line/Ring of Fire/The R


Editorial Reviews:
Album Description
Digipak reissue of 1969 album that's out-of-print in the US. 2001.
Amazon.com essential recording
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best. --Rich Kienzle

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