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Almost Famous [Extended Edition] [Blu-ray][Region Free]

Almost Famous [Extended Edition] [Blu-ray][Region Free]
  • Buy New: $10.95 (On sale from $10.99)
  • as of 2/11/2012 00:29 EST details
In Stock
New (13) Used (4) from $10.95
  • Seller:-importcds
  • Sales Rank:47,110
  • Format:Blu-ray, Import
  • Languages:English (Subtitles For The Hearing Impaired), English (Unknown), Arabic (Subtitled), Bulgarian (Subtitled), Croatian (Subtitled), Czech (Subtitled), English (Subtitled), Hebrew (Subtitled), Hindi (Subtitled), Hungarian (Subtitled), Icelandic (Subtitled), Korean (Subtitled), Mandarin Chinese (Subtitled), Polish (Subtitled), Portuguese (Subtitled), Romanian (Subtitled), Slovak (Subtitled), Slovene (Subtitled), Spanish (Subtitled), Thai (Subtitled), Turkish (Subtitled), English (Original Language)
  • Media:Blu-ray
  • Running Time:162 Minutes
  • Region:0
  • Discs:1
  • Aspect Ratio:1.85:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):6.8 x 5.4 x 0.6
  • MPN:SBR32180
  • EAN:5050629218015
  • ASIN:B0011FTQ4O
Availability:Usually ships in 1-2 business days

Features:
  • UK Import
  • Blu-ray
  • Region-Free
  • Extended Edition


Editorial Reviews:
Synopsis
Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalisation of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to '70s Rock & Roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (a superb Frances McDormand) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalised mixture of the Allman Brothers, Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet finale, Crowe's comedic valentine is an indelible, heartbreaking romance of music, women, and the privilege of youth. --Doug Thomas
Amazon.com
Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers, Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet finale, Crowe's comedic valentine is an indelible, heartbreaking romance of music, women, and the privilege of youth. --Doug Thomas

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