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Crash [UMD for PSP]

Crash [UMD for PSP]
  • List Price: $28.98
  • Buy New: $4.95
  • as of 2/10/2012 02:30 EST details
  • You Save: $24.03 (83%)
In Stock
New (6) Used (8) from $4.95
  • Seller:BLACKFLY MEDIA
  • Sales Rank:285,885
  • Format:Closed-captioned, Color, Dolby, Subtitled, Widescreen
  • Languages:English (Subtitled), Spanish (Subtitled), English (Original Language)
  • Media:UMD for PSP
  • Running Time:122 Minutes
  • Rating:R (Restricted)
  • Region:1
  • Discs:1
  • Aspect Ratio:2.35:1
  • Shipping Weight (lbs):1
  • Dimensions (in):6.8 x 4.2 x 0.6
  • Release Date:September 6, 2005
  • MPN:031398183686
  • UPC:031398183686
  • EAN:0031398183686
  • ASIN:B000A3XYIC
Availability:Usually ships in 1-2 business days



Editorial Reviews:
Synopsis
PSP MOV CRASH (BM)
Amazon.com
Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)








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