Wicker Park

Enter the torrid and treacherous world of Wicker Park, where deception and seduction walk hand in hand. Starring an outstanding cast of Hollywood's hottest young stars, including Josh Hartnett(Pearl Harbor), Rose Byrne (City of Ghosts), Matthew Lillard (Scream) and Diane Kruger (Troy), Wicker Park is a sizzling, action-packed noir thriller that will leave you breathless. What if the woman you loved disappeared without a word? Without a trace? How far would you go to find her again? When Matthew (Hartnett) glimpses his lost love (Kruger) in a crowdedcafÃ(c), he's determined not to lose her a second time. But determination soon turns to obsession, as Matthew finds himself on a dangerous and chilling journey, where no one is who they seem and chance meetings with a sexy brunette (Byrne) might unravel friendships, careers and lives.

No, Josh Hartnett doesn't make the most convincing corporate up-and-comer in the world, but then Matthew, his character in this pensive romantic drama, is supposed to be uncomfortable in his business costume. He's a photographer at heart, a sensitive guy who abandoned that passion when Lisa (Diane Kruger), his enigmatic other true love, abandoned him. Their romance had an oddly abrupt end after Lisa left without a word, so when Matthew thinks he sees her upon returning to Chicago, he starts lying to his fiancée and practically stalking his old flame before becoming entangled in a strange tryst with a lovesick nurse (Rose Byrne). The MGM publicity department busied itself trying to promote this remake of L'Appartement (1996) as some kind of heavy-breathing Fatal Attraction, and director Paul McGuigan certainly fills it with enough slick split-screens and MTV-soundtrack moments to hype it, yet it isn't even remotely a thriller. There are flashbacks upon flashbacks--Vanilla Sky begins to feel linear in comparison--and the screenplay insists on spelling everything out so we'll be sure to get how thoughtful it really is, but it all isn't half bad. Though Hartnett is a little out of his depth, his gentle, beleaguered masculinity works well, and the women are both compelling: Kruger redeems herself after being more wooden than the Trojan Horse in Troy, and Byrne is quite good. Even Matthew Lillard does solid work as Matthew's vulnerable, big-talking buddy. Somewhere in all of it is a surprisingly adult look at the things people do when love seems either too perilously close or too far away to believe in. --Steve Wiecking