La Belle Noiseuse [Region 2]

[NON-U.S. FORMAT (PAL) Region 2 U.K. Import - This will not play on U.S./Canada DVD players or those from most other countries outside of Europe. You would need a "multi-region" or "region-free" PAL compatible DVD player or computer.] SYNOPSIS: Frenhofer (Michel Piccoli), a renowned French artist, hasn't lifted his brush in years. But when he meets the stunningly beautiful girlfriend (Emmanuelle Beart) of a young painter visiting his chateau, she inspires him to return to work on an abandoned masterpiece, known as "La Belle Noiseuse." Frenhofer had set the painting aside a decade earlier when it threatened to consume him entirely and destroy his fragile relationship with his wife. Stirred to action once more, he and the young model embark on a perilous collaboration that will forever change them both. New Wave legend Jacques Rivette's beautiful, passionate film honestly depicts the painful choices an artist must sometimes make between commitment to life and loved ones, or total submission to the often devastating demands of art. EXTRAS: Interview With Jacques Rivette, Interview With Co Writers Pascal Bonitzer And Christine Laurent, Theatrical Trailer, Filmographies.

La Belle Noiseuse is a thrilling and unconventional drama about the responsibility of an artist to his vision and the conflicts that arise when such responsibility is perceived as a threat to others. Michel Piccoli (Le Doulos) delivers one of his finest, most lived-in performances as Edouard Frenhofer, a famous painter living with his artist wife Liz (Jane Birkin) on a spacious estate in the French countryside. Frenhofer has lacked inspiration for a decade and has given up on painting. The idea behind his unfinished masterpiece, La Belle Noiseuse ("The Beautiful Troublemaker"), has been seemingly unattainable for a decade; Liz was the original model for it, and Frenhofer's exhaustion with the project has an emotional parallel to his dispassionate relationship with her.

Along comes a rising artist, Nicolas (David Bursztein), who suggests that his girlfriend, Marianne (Emmanuelle Béart), a writer, could help Frenhofer jumpstart the painting's completion. From this point, most of La Belle Noiseuse becomes a remarkable, seemingly unedited and privileged look at the development of a bond between artist and muse. Béart, fiercely brilliant, spends the majority of the film nude and continually molded into sometimes-painful positions as Frenhofer struggles--sketch after sketch, paint upon paint--to find something beyond the obviousness of Marianne's body. As the two struggle to meet each other halfway, Liz and Nicolas feel marginalized and jealous, putting pressure on Frenhofer to disregard such personal concerns or give in to them. Adapted by French New Wave master Jacques Rivette from a story by Honore de Balzac, the lengthy La Belle Noiseuse is fascinated by the artistic process; it is itself a patient process of watching ideas and aesthetic courage reveal themselves in the face of extraneous aversion. --Tom Keogh