Editorial Reviews:
Synopsis
United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), WIDESCREEN, SPECIAL FEATURES: Alternative Footage, Biographies, Cast/Crew Interview(s), Deleted Scenes, Interactive Menu, Making Of, Scene Access, SYNOPSIS: Directed by Keith Fulton and Louis Pepe, LOST IN LA MANCHA documents Terry Gilliam's disaster-prone attempt to make THE MAN WHO KILLED DON QUIXOTE, a film largely based on the classic novel by Miguel de Cervantes. The movie first encounters difficulties in its preproduction stage, starting with an uncomfortably small European-funded budget. Then Gilliam must wait for the lead actors, Johnny Depp and French actor Jean Rochefort, to show up on location in Spain. When Depp and Rochefort finally arrive, shooting commences, but within the first few days a torrential rainstorm hits the set, washing away much of the equipment and significantly altering the dry desert landscape. And to make matters much worse, Rochefort, who plays the central role of Don Quixote, falls ill and returns to Paris for medical treatment. As the days of the Quixote-less production go by, tensions among the crew members increase and Gilliam faces the frustratingly real prospect of scrapping the film.
SCREENED/AWARDED AT: BAFTA Awards, British Independent Film Awards, European Film Awards, ...Lost In La Mancha
Amazon.com
Because Terry Gilliam is unquestionably one of the great film directors of our time, Lost in La Mancha, a documentary that captures the collapse of his attempt to make a movie out of Don Quixote, makes for fascinating but painful viewing. Dogged by a reputation for being wasteful and out-of-control, Gilliam had to fight to gather the funding for the project, but the assembled cast (including French actor Jean Rochefort and Johnny Depp) and the fantastic design elements promised something glorious. Then jets flying overhead, flash floods, and the ill health of a lead actor completely sideswiped the already delicate production. The increasing stress and unhappiness of the filmmakers is gripping, but what truly tantalizes are the few bits of film that Gilliam managed to shoot--only two or three minutes of screen time, but enough to suggest a magnificent vision. --Bret Fetzer