Little Voice

World-class stars Michael Caine (HANNAH AND HER SISTERS), Brenda Blethyn (SECRETS AND LIES), and Ewan McGregor (STAR WARS: EPISODE I, BLACK HAWK DOWN) deliver acclaimed performances in an inspirational story about a painfully shy young woman and how the power of music leads her to an amazing transformation! A hopeless introvert, "Little Voice," (Jane Horrocks, TV's ABSOLUTELY FABULOUS) can only manage to express herself by singing in the timeless voices of Judy Garland, Marilyn Monroe, and others. But once her eccentric mother's (Blethyn) new boyfriend -- a sleazy talent scout (Caine) overhears Little Voice's incredible crooning, he'll do anything to drag the recluse into the spotlight and make her a star! Cheered by critics everywhere -- don't miss your chance to enjoy this truly exceptional motion picture!

Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life of the party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time. Little Voice is ostensibly LV's story, and in fact the original play was written for Horrocks, whose amazing vocal impressions of Garland, Shirley Bassey, and Marilyn Monroe (among others) form the centerpiece performance of the film. But as directed by Mark Herman (Brassed Off), the story of this mousy girl who shuts herself in from a bellowing world is just as overwhelmed by the bombastic characters as LV herself. Brenda Blethyn babbles a blue streak as LV's overbearing mother, Mari, an aging widow who escapes her unhappiness in carousing and becomes almost pathologically jealous when Ray's attentions turn from her to LV. As Ray puts his dreams on the line for LV's showcase, he reveals his true self: a venal man who spits and barks out his bottled-up anger in an astoundingly bile-filled delivery of Roy Orbison's "It's Over." The showstopping moment once again overwhelms LV's tale, but Caine's performance is so astounding it seems a fair trade. --Sean Axmaker