Selena

The nuts and bolts of the irresistibly danceable music called Tejano are pop, rock, polka, R&B and Latin influences. To millions of fans there's another vital ingredient: the dynamic singer Selena. Vibrant and tuneful, Selena is the story of the Grammy Award-winning South Texas singer whose life tragically ended just as she was taking Tejano where it had never gone-into mainstream America. Pulsating with Selena's voice on the soundtrack and made with the participation of her family, the film brims with authenticity. It excitingly recreates the early life of a little girl who dreamed big, hit the road in the band bus named Big Bertha and whose concerts became electrifying events. In the title rose, Jennifer Lopez is herself electrifying. Edward James Olmos, Jon Seda and others also shine in "a poignant, heartwarming movie that deserves a standing ovation" (Jules Peimer, WKDM-Radio/New York).

Gregory Nava (Why Do Fools Fall In Love?) directs this more-or-less official film biography of the late Mexican-American singer, Selena Quintanilla Perez (the film is coproduced by her father), which emphasizes sentimentality over conflict and plays down the star's horrific death at the hands of a deranged fan. Jennifer Lopez is quite good as Selena, whose roots we come to know through the story of her father (Edward James Olmos), a Corpus Christi singer who was rejected by white audiences. The script focuses primarily on Selena's inspiring rise, and it tries to muster some sense of urgent conflict over not-particularly-contentious issues (such as her relationship with a guitarist). But Olmos does a fine job portraying the elder Perez as a possessive sort, and the music and general buoyancy of Lopez's performance are infectious. The unavoidable subject of Selena's killer--a woman who happened to be the president of her fan club--is considerably and oddly downplayed. --Tom Keogh